War on Terror: Gitmo JAG attacks legal process

Have you noticed how often we must rely on the BBC, The Guardian, The Economist, The Independent UK, foreign language papers, and, domestically, the McClatchy chain to do the reporting not being done by the New York Times, the Los Angeles Times, the Washington Post and the "news" magazines, let alone the networks and CNN? As of this posting, this story from the Independent's Sunday edition had been picked up by dozens of blogs and a few alternative media sites, but not by a single major American media outlet. - JG

Guantanamo military lawyer breaks ranks to condemn 'unconscionable' detention

by Leonard Doyle in Washington (The Independent UK, 2007-1027)

An American military lawyer and veteran of dozens of secret Guantanamo tribunals has made a devastating attack on the legal process for determining whether Guantanamo prisoners are "enemy combatants".

The whistleblower, an army major inside the military court system which the United States has established at Guantanamo Bay, has described the detention of one prisoner, a hospital administrator from Sudan, as "unconscionable".

His critique will be the centrepiece of a hearing on 5 December before the US Supreme Court when another attempt is made to shut the prison down. So nervous is the Bush administration of the latest attack – and another Supreme Court ruling against it – that it is preparing a whole new system of military courts to deal with those still imprisoned.

The rest of the story: The Independent UK

Essay: Journalism and its discontents

Ninety years after Walter Lippmann first railed against the complicity of the media in wartime propaganda, we're back at ground zero.

by Sidney Blumenthal (Salon, 2007-10-25)

Walter Lippmann (1889-1974) was the most influential American journalist of the 20th century. Born into one of the German-Jewish "Our Crowd" families of New York City, he began his career as a cub reporter for Lincoln Steffens, the crusading investigative journalist, then became one of the original editors of the New Republic, and was recruited to write speeches for President Woodrow Wilson and help formulate his plan to make the world "safe for democracy," the Fourteen Points. In the 1920s, Lippmann became editorial director of the New York World, then a major daily newspaper with a Democratic orientation. When it folded, the New York Herald Tribune offered him a column, which, with the Washington Post, served as his journalistic base for almost 50 years.

Lippmann wrote books on philosophy, politics, foreign policy and economics. In one of them, "The Cold War," he early defined the struggle between the United States and the Soviet Union while offering penetrating criticism of U.S. policy as a "strategic monstrosity" that would lead to "recruiting, subsidizing and supporting a heterogeneous array of satellites, clients, dependents and puppets," inevitably forcing poor choices of having to either "disown our puppets, which would be tantamount to appeasement and defeat and the loss of face," or else back them "at an incalculable cost on an unintended, unforeseen and perhaps undesirable issue." Lippmann's prophetic warning was realized in the Vietnam War, which he opposed at considerable cost to his personal and political relationships. (Anyone interested in Lippmann, or American politics, should read Ronald Steel's magisterial biography, "Walter Lippmann and the American Century.")

Among his varied roles, Lippmann was the original and most prescient analyst of the modern media. His disillusioning experience in World War I prompted the first of three books on the subject, "Liberty and the News," followed in rapid succession by "Public Opinion" and "The Phantom Public." In them Lippmann deconstructed the distortions and lies of government propaganda eagerly transmitted by a jingoist press corps, the "manufacture of consent" and the creation of "stereotypes" projected as false reality.

-- from the afterword to a new edition of Walter Lippman's "Liberty and the News" to be reissued this month by Princeton University Press.

The rest of the story: Salon